You play guitar for a while, you're on track and then out of nowhere, suddenly, does not seem to matter what you do-you simply can not seem to make any progress!
Here are some tips to help you get your guitar playing back on track.
1. Put the guitar away for a day, week or even one month.
Go for a total and complete abstinence from the guitar. You might even want to take a step further and also to avoid listening to music too.
When taking a break from music, playing guitar and usually will begin to get those strong "gotta play" urges.
When you resume playing guitar you can look with fresh eyes.
2. Learn a song from a different style of music.
Let's say your favorite guitar playing style is rock. Learn to play jazz guitar, singing a blues song, a country song, a reggae track, or a classical guitar, singing, etc.
You can find something in a very different style than usual, you can play or learn something that is similar or related styles.
If your ears are in good condition know the song by ear. Otherwise, find a sheet music for the song.
Bear in mind that a great source for underutilized sheet music is your local library. If you live in a small town visit the nearest major town library. Also remember for college and university libraries.
3. Mathaina guitar theory.
I remember when I started to play guitar. You could not have paid me to learn guitar, theoretically. Everything you wanted to do was to learn my favorite songs and improve my technique. But then I realized that my plays could only go so far and if we do not have idea about what I did.
After more than 25 years of teaching, I can safely say that for most guitarists, the greatest discoveries and rut busters from learning the guitar a theory.
The big issue is that you do not have to go in this hardcore. Simply learning the basics of guitar theory will have a huge impact on your playing.
When you do not know guitar, theoretically, is like wandering around in a huge mansion with the lights off. With knowledge of the theory guitar is like you find and switch on the lights turned!
4. Emphasis on guitar technique.
Another great thing to do to catapult your guitar playing to the next level, is to focus exclusively on your guitar technique.
What you do is set aside either an entire practice session, or an entire week of practice sessions and do nothing but work on technique.
So, we'll work on alternate picking, hammer-ons and pull-offs, tapping, sweep picking, finger-picking exercises and stretching.
We do any work on songs, or anything else-you just practice technique.
After you have made your return to your regular practice routine.
5. String ignore do some exercises.
Still in the field of technology, a big rut-buster is to work for ignoring string exercises. These exercises are more guitarists seem to forget to use.
String skipping exercises will improve your pick-hand technique, the goods-hand technique and coordination.
6. Learn to play horn parts on the guitar.
This is an excellent. I am not talking about learning to reproduce the sound of car horns on guitar, I am talking about learning to play SAX, clarinet, oboe, trumpet or parts on the guitar.
The first thing you will discover, especially if you learn some jazz pieces, is that most lines horn does not sit very well with the guitar. What I mean by that is that they do not sit very well under your fingers. So when you play a Charlie Parker sax solo guitar for you really need to work!
The other cool thing to do with horn sections is to try to match the wording as much as possible. This will give you all kinds of fresh ideas for your playing lead guitar.
7. Learn guitar piece for piano.
You have three choices. You can learn the chords and melody for piano part and to arrange for guitar, or you can create an arrangement whereby you both.
When you do what you do afterwards so-called "chord melody" style. Create a system in which you play two chords and melody together. Classical guitarists do this all the time and you'll hear solo jazz guitarists use this technique.
It is kind of like «one-man-band" approach to guitar playing. It's fun to play and always sounds cool!
8. Learn a piece for violin and guitar cares.
This can also be much fun. Take a Bach, Mozart, Paganini or track and arrange parties for violin guitar. These songs sound really cool for guitar and will have a great technical guitar work.
9. Mathaina guitar new scales.
If you know the scale is only the minor pentatonic, it's time to look at the larger world of guitar scales. As you learn new scales will give your fingers a few new challenges and more importantly will give yourself some new tools for creating killer guitar solo.
When you think about it, a guitar solo is just a melody that uses one or more guitar scales that work well in the evolution of reach.
So if you want more variety in your solo guitar, guitar learn some new scales.
Also, be sure to learn about these multiple guitar fingerings scales. Different scale fingerings will give you a different melodic ideas. The other cool thing is when you know many ways to play the same scale as the guitar, you can connect them together and cover the entire fretboard in the key. This is a way for the creation of these large fretboard-burning licks.
10. Practice guitar scales new ways.
Yes, learning new guitar scales are great, but merely to exercise the front and back are quite boring. Practicing scales in thirds, fourths, fifths and sixths are good. But we must also practice using different scales and more elaborate melodic patterns and sequences.
11. Learn some new guitar strings.
Let's face. In most popular songs, 80% of the parts involved playing guitar chords. This means that the overwhelming majority of your playing, especially if you're in a band, has to do with chords.
So spend some time working on new guitar strings.
Get a good guitar chord book, if you do not already have one, and decide that they can learn new chords 3 each week. This means that you will learn 12 new guitar chords each month. As you can imagine, this would add quickly. In one year we have added 144 new guitar chords in your vocabulary.
The key when you can learn these new guitar strings is that we must find a way to use them.
If you learn a new chord, and therefore have no way to use it, is like learning a new word and never will be able to use it in conversation. In a short period of time will have forgotten the word. The same is true with strings, if you do not use them you'll forget how to play.
Just play and enjoy what your doing and practice hard you'll get better and better in your guitar playing.
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Monday, September 1, 2008
Friday, August 22, 2008
Learn guitar solo techniques
There is no real best way to learn guitar solo techniques and the best guitarists in the world learned their trade in many different ways. Some, like Jimi Hendrix, learned from watching and listening to others play, and tried to copy them using their own cheap guitar. Other books purchased to teach them, while others followed video courses. Some might even provide personal tuition, but they all had something in common.
They all understand the importance of techniques that will help make it easier playing guitar. Nobody was ever really good not knowing that, by learning these techniques could turn a note into three or four others, or to hold onto a note long after lesser players have lost theirs.
Many of these techniques were acquired, not taught as such, and on the basis that someone had to have played the first vibrato note, many of the major players who invented their own way of playing solo guitar. These techniques can now be taught via video, since it would be extremely difficult to do using traditional learning guitar book.
Guitar solo techniques must be proved by the results they produce. We know the sound intended to be confident that plays correctly. What are these techniques, and how are they playing? Ready to learn how important it is to learn from video, and how difficult it is to do with written instructions.
The hammer for
This is a technique used by almost all solo guitarist, and is a means to accelerate your game playing two or more notes from a pick of a string. You pick the string and play the normal note, then quickly to hammer out a different commodities for the next note, before ending the string vibrations. You can do this two or three times before losing the sound. It is important to play this hard and fast, and the string formed right in goods for the note to sound right. How should be healthy? Like two or three notes played quickly, one after another. It is much easier to show a video and hear the sound.
The Spider Walk
This is a technique which you play a commodities index you, with your next media, then the next string your ring finger with a recommendation merchandise with your pinkie, then move to another string and do it again. spider basically you can walk around the neck and up and down the frets. Not only is this a good exercise to keep your finger supplements, but can also be used for some quick riffs, while using pentatonic scales. Bass guitarists also use it very much, and still is better than proving explained in writing.
There are many, many others, but should be able to see now how even relatively lucid descriptions of the techniques are inadequate as a teaching tool, and that the video demonstration, or a personal demonstration if you find someone to do it for you, is infinitely preferable. You could run a really good hammer-spider on foot or by these descriptions? Do not need to know what they should sound? Doubt.
The best way to learn the techniques is solo guitar from the video, and a very good way to have access to video through an online guitar membership site. There are such sites online that offer tutoring through a series of videos offered by one of the many guitar instructors who specialize in specific rhythms playing. We want to learn blues techniques from a heavy metal specialist, or how to make a massive on-stage for your new sound or Gibson Start from the classical guitarist.
This is what you could get, but with only one guitar instruction videos, and that is why a guitar membership site is better than a lump sum payment for a single material. These sites allow you to visit as many times as you want, and change the instructions from one person to another, as suits you.
You can find a teacher that the vast majority of teaching in these techniques, while another is better at walking you through the scales, especially those needed to
Despite the fact that the video is one of the best ways to learn the techniques solo guitar, there are various video formats, composition and guitar sites probably offer better value that what we are offering can be more easily adapted to your specific needs . can be more easily tailored to your own specific needs.
They all understand the importance of techniques that will help make it easier playing guitar. Nobody was ever really good not knowing that, by learning these techniques could turn a note into three or four others, or to hold onto a note long after lesser players have lost theirs.
Many of these techniques were acquired, not taught as such, and on the basis that someone had to have played the first vibrato note, many of the major players who invented their own way of playing solo guitar. These techniques can now be taught via video, since it would be extremely difficult to do using traditional learning guitar book.
Guitar solo techniques must be proved by the results they produce. We know the sound intended to be confident that plays correctly. What are these techniques, and how are they playing? Ready to learn how important it is to learn from video, and how difficult it is to do with written instructions.
The hammer for
This is a technique used by almost all solo guitarist, and is a means to accelerate your game playing two or more notes from a pick of a string. You pick the string and play the normal note, then quickly to hammer out a different commodities for the next note, before ending the string vibrations. You can do this two or three times before losing the sound. It is important to play this hard and fast, and the string formed right in goods for the note to sound right. How should be healthy? Like two or three notes played quickly, one after another. It is much easier to show a video and hear the sound.
The Spider Walk
This is a technique which you play a commodities index you, with your next media, then the next string your ring finger with a recommendation merchandise with your pinkie, then move to another string and do it again. spider basically you can walk around the neck and up and down the frets. Not only is this a good exercise to keep your finger supplements, but can also be used for some quick riffs, while using pentatonic scales. Bass guitarists also use it very much, and still is better than proving explained in writing.
There are many, many others, but should be able to see now how even relatively lucid descriptions of the techniques are inadequate as a teaching tool, and that the video demonstration, or a personal demonstration if you find someone to do it for you, is infinitely preferable. You could run a really good hammer-spider on foot or by these descriptions? Do not need to know what they should sound? Doubt.
The best way to learn the techniques is solo guitar from the video, and a very good way to have access to video through an online guitar membership site. There are such sites online that offer tutoring through a series of videos offered by one of the many guitar instructors who specialize in specific rhythms playing. We want to learn blues techniques from a heavy metal specialist, or how to make a massive on-stage for your new sound or Gibson Start from the classical guitarist.
This is what you could get, but with only one guitar instruction videos, and that is why a guitar membership site is better than a lump sum payment for a single material. These sites allow you to visit as many times as you want, and change the instructions from one person to another, as suits you.
You can find a teacher that the vast majority of teaching in these techniques, while another is better at walking you through the scales, especially those needed to
Despite the fact that the video is one of the best ways to learn the techniques solo guitar, there are various video formats, composition and guitar sites probably offer better value that what we are offering can be more easily adapted to your specific needs . can be more easily tailored to your own specific needs.
Thursday, August 21, 2008
A good SEO site
If you want to earn cash in the internet you are welcome to visit and subscribe to Inside Jobs Feed, where you can read a good and quality articles about SEO, Blogging, and how to make money online... Just click the link below to start earning money online!!!
SEO and Blogging Tips Articles - Inside Jobs
SEO and Blogging Tips Articles - Inside Jobs
Thursday, July 24, 2008
Three Mistakes On Playaing Guitar
To play guitar Well, you must learn all that is to learn more about playing guitar. Although I believe that this important aspect in theory, I can not stress the importance of positive thinking. If you want to achieve success at all, you must restore the situation to think positive thoughts.
This is the lesson especially for top performers Harp guitar. It gives some of the indicators, which have the right type of thinking so that they may be able to start playing solo guitar is good enough.
1. Urgent
One of the main components of the failure is that impulsive. There will come a time when a player is the beginning of Harp and haste Affairs, who want to achieve more quickly. This is because you know that there are many things you should know.
If you are interested in results, and you want fast results, are willing to give you everything and pressure in an attempt to learn as much as you can in a very short time. However, this is a surefire way to fail. You must be patient until they understand that everything can process as i. Even if you can compress All you need to know about one day, and this is not a very effective way to learn to play the guitar.
What you must do is to break these enormous tasks in smaller bite-sized tasks and give you time to learn from them. Slowly, and will be able to play guitar. The patient is the key.
2. Low self-esteem
Pesimistichno Another thought is that once low self-esteem. When you have low self-esteem, we tend to think for themselves modest. In such cases, you are afraid of making mistakes. However, the more they are afraid, the more mistakes you make.
Improve your thoughts, so you are more able to cope with such problems. Change of mindset so that you can take to make mistakes. Tell yourself to make mistakes is not something zasramen. In fact, making mistakes and improve on them will make to plan better guitar.
You should be able to play before a small audience and take their criticism to heart and improves its weakness. Do not take you seriously negative comments, which ends with low self-esteem. Remember that making mistakes is good, but only if you take these comments and improve upon them.
3. Payment for
Harp contractors of the project sometimes not focusing on the tasks at hand and this is training to play guitar, too. You have many things you want, or what to do, you have to do them all at the same time. For example, much of your free time is spent on means of entertainment.
What is your goal? If your goal is to play the guitar and needs to concentrate on the tasks in hand. Reducing the social activities of the first. Find a suitable place to practice your guitar. Then practice your guitar and when you can. When improvements are made, then you can slowly increase your social activities to the way it was before.
Remember, in an attempt to learn to play guitar is difficult, especially if you start a player Harp. I take this advice, what if he does not play guitar improve their capabilities. This should be the main lesson is very guitar for beginners, before pausing in the theoretical aspect of learning to play guitar
This is the lesson especially for top performers Harp guitar. It gives some of the indicators, which have the right type of thinking so that they may be able to start playing solo guitar is good enough.
1. Urgent
One of the main components of the failure is that impulsive. There will come a time when a player is the beginning of Harp and haste Affairs, who want to achieve more quickly. This is because you know that there are many things you should know.
If you are interested in results, and you want fast results, are willing to give you everything and pressure in an attempt to learn as much as you can in a very short time. However, this is a surefire way to fail. You must be patient until they understand that everything can process as i. Even if you can compress All you need to know about one day, and this is not a very effective way to learn to play the guitar.
What you must do is to break these enormous tasks in smaller bite-sized tasks and give you time to learn from them. Slowly, and will be able to play guitar. The patient is the key.
2. Low self-esteem
Pesimistichno Another thought is that once low self-esteem. When you have low self-esteem, we tend to think for themselves modest. In such cases, you are afraid of making mistakes. However, the more they are afraid, the more mistakes you make.
Improve your thoughts, so you are more able to cope with such problems. Change of mindset so that you can take to make mistakes. Tell yourself to make mistakes is not something zasramen. In fact, making mistakes and improve on them will make to plan better guitar.
You should be able to play before a small audience and take their criticism to heart and improves its weakness. Do not take you seriously negative comments, which ends with low self-esteem. Remember that making mistakes is good, but only if you take these comments and improve upon them.
3. Payment for
Harp contractors of the project sometimes not focusing on the tasks at hand and this is training to play guitar, too. You have many things you want, or what to do, you have to do them all at the same time. For example, much of your free time is spent on means of entertainment.
What is your goal? If your goal is to play the guitar and needs to concentrate on the tasks in hand. Reducing the social activities of the first. Find a suitable place to practice your guitar. Then practice your guitar and when you can. When improvements are made, then you can slowly increase your social activities to the way it was before.
Remember, in an attempt to learn to play guitar is difficult, especially if you start a player Harp. I take this advice, what if he does not play guitar improve their capabilities. This should be the main lesson is very guitar for beginners, before pausing in the theoretical aspect of learning to play guitar
Wednesday, February 20, 2008
Incredible Lightness
In my essay "Discover Your Discomfort", I urged you to become aware of the sensations of discomfort you experience while practicing and playing. The reason is very simple. Until you do, you will not be able to be aware of the sensations (that is, your mental awareness of the physical feelings in your body) a good player has, the sensations that you must have to play well. I call this sensation, or feeling in the body, "The Incredible Lightness". I call it this, because once you experience it, and allow it to grow by Correct Practicing, well, it's Incredible. This feeling of lightness is what makes fast, accurate playing possible. Unfortunately, because of ignorance of how to practice correctly, far too many players create for themselves "The Incredible Tightness".
I will quote myself to bring this point home:"The relative state of tension or relaxation in the muscles is one of the hardest things to be aware of. I once saw a person play with so much tension in her right shoulder that it was up to her earlobe! Always trying to be helpful, I pointed this out to her when she finished. As she let her shoulder down a few inches to it's normal position, she told me I was wrong, she wasn't tense, but very relaxed!
The reason she felt this way is because we very quickly become used to whatever we experience, and consider it normal. We never question whatever tensions we experience in learning new skills on the guitar, and in fact consider it part of the doing of it. And it often is, but it doesn't have to continue to be that strenuous. We can learn to do the movements with less effort.
However, when we first try something, it is often not possible to do it without a lot of excess tension. The mistake is, we assume that the tension is inevitable, and never realize we can get to a point where we can get the result we want without all the huffing, puffing and straining. Often, more stretch or muscle development is required, which will come with a correct approach.
Of course, as we continue to try the new skill, and assume the effort we feel must be that way, it becomes ingrained into our approach, and gets worse. So we have a vicious circle, that leads to frustration and bad playing.
So extra tension in the muscles, which every advanced player knows is the number one cause of playing difficulty, becomes a blind spot for us. Usually we are only aware of the result of the tension, which is that mistake we just made. Often it happens we are not even aware of that, because we start to filter out those unpleasant reminders of our troubles. A As you will see shortly, the correct approach to dealing with "mistakes" caused by tension, is to repeat the movement extremely slowly, with a great focus on keeping all muscles relaxed. With each repetition, the muscles learn the relaxed way of moving to produce the result you want.
"So you see, it is lack of understanding of how the body/mind functions, and lack of honest attention while practicing, that gets us in to trouble. You must start to observe your own "Tightness", and replace it with "Lightness", then you will see your level as a player change upward, what I call Vertical Growth. Since many players have no idea what this lightness feels like, here is a very simple way to connect with it. You must then begin to cultivate this feeling in actual playing. Believe me, it feels good! In fact, when you see a good player "making it look easy", it's because it is easy, when you have the "Incredible Lightness".
Let's discover "The Light Finger"The first step in finding "The Incredible Lightness" is to discover The Light Finger. The Light Finger is the completely relaxed finger, brought to the string, and touching the string, with only the weight of the finger. It does not press the string down until told to do so. To discover the sensation of the Light Finger, do this:
- Raise your arms in front of you, without the guitar, and take hold of the index finger of your left hand with the thumb and index finger of your right hand. Completely relax the left index, and wiggle it around with your right hand. This is the Light Finger.
- Touch the palm of your right hand with your left index. Raise the left index two inches from the palm. Now let it drop by it's own weight back to your palm, touching it very lightly, with no pressure. This is how the finger feels when it first touches the string.
- Now hold the guitar, paying attention to the being comfortable and relaxed throughout the body, and slowly raise your relaxed left arm up to the neck, bringing the hand up so that the index finger is lined up with the ninth fret. Have your fingers in a relaxed curl over the 6th string. Allow your Light, relaxed middle finger to fall to the 6th string, behind the 10th fret, so that it touches the string, but applies no pressure. Look at the string under your finger, and see the distance between the string and the fingerboard. Make sure the string does not get move at all down toward the fret.
- Raise your finger an inch, and then bring it back to touch the string again in the same way. Do this over and over, touching the string with the Light Finger, bringing it away, and touching it again. This is called Finger Flapping. Do this a few times with each finger every day. Make sure you keep the inactive fingers as relaxed as possible while touching the string with the active finger. This will get you used to the feeling, and over time, very sensitive to the feeling of complete relaxation.
This light feeling is how your fingers will be when they first touch the string to play a note, and it is the feeling they will return to when they release from a note. It enables them to be prepared for their next job. Many people never have this light feeling, and play with tense fingers all the time, and their playing suffers greatly because of it. This exercise is what I call a Foundation Exercise, one that should be done regularly, no matter how long you have been playing. It will continually act to increase your awareness of the correct and necessary sensations you must have in order to play well. Learning how to bring this feeling in to all playing situations is often a tricky matter, and there is much else to know, but we have to start somewhere!
Here is why. Speed, or the ability to execute movements rapidly and accurately, is simply the result of continuous correct practice that promotes "The Incredible Lightness". If you are creating "The Incredible Tightness" when you practice, you will suffer because of it. Think of walking and running. Does a little kid have to practice running? No, it just happens after balance is mastered, and the ability to place one foot in front of the other, and have all the body parts work together to keep the movement going. After the two year old gets that down, don't worry, he'll be running!
In closing, let me say that all the preceding is founded upon the first two Principles of Correct Practice. I will state them pretty formally, and they apply to all instruments. Principle of Correct Practice #1: Your aware, thinking mind is your primary practice tool. Principle of Correct Practice #2: Control of the fingers is developed by infusing conscious awareness into the muscles through the mechanism of attention while practicing. Remember, as in all things in life, you get out of it what you put in to it (and believe me, it makes me feel pretty old to hear myself saying that, but it's the truth). So read this over and over, and do the exercise, and apply these understandings to your practice.
I will quote myself to bring this point home:"The relative state of tension or relaxation in the muscles is one of the hardest things to be aware of. I once saw a person play with so much tension in her right shoulder that it was up to her earlobe! Always trying to be helpful, I pointed this out to her when she finished. As she let her shoulder down a few inches to it's normal position, she told me I was wrong, she wasn't tense, but very relaxed!
The reason she felt this way is because we very quickly become used to whatever we experience, and consider it normal. We never question whatever tensions we experience in learning new skills on the guitar, and in fact consider it part of the doing of it. And it often is, but it doesn't have to continue to be that strenuous. We can learn to do the movements with less effort.
However, when we first try something, it is often not possible to do it without a lot of excess tension. The mistake is, we assume that the tension is inevitable, and never realize we can get to a point where we can get the result we want without all the huffing, puffing and straining. Often, more stretch or muscle development is required, which will come with a correct approach.
Of course, as we continue to try the new skill, and assume the effort we feel must be that way, it becomes ingrained into our approach, and gets worse. So we have a vicious circle, that leads to frustration and bad playing.
So extra tension in the muscles, which every advanced player knows is the number one cause of playing difficulty, becomes a blind spot for us. Usually we are only aware of the result of the tension, which is that mistake we just made. Often it happens we are not even aware of that, because we start to filter out those unpleasant reminders of our troubles. A As you will see shortly, the correct approach to dealing with "mistakes" caused by tension, is to repeat the movement extremely slowly, with a great focus on keeping all muscles relaxed. With each repetition, the muscles learn the relaxed way of moving to produce the result you want.
"So you see, it is lack of understanding of how the body/mind functions, and lack of honest attention while practicing, that gets us in to trouble. You must start to observe your own "Tightness", and replace it with "Lightness", then you will see your level as a player change upward, what I call Vertical Growth. Since many players have no idea what this lightness feels like, here is a very simple way to connect with it. You must then begin to cultivate this feeling in actual playing. Believe me, it feels good! In fact, when you see a good player "making it look easy", it's because it is easy, when you have the "Incredible Lightness".
Let's discover "The Light Finger"The first step in finding "The Incredible Lightness" is to discover The Light Finger. The Light Finger is the completely relaxed finger, brought to the string, and touching the string, with only the weight of the finger. It does not press the string down until told to do so. To discover the sensation of the Light Finger, do this:
- Raise your arms in front of you, without the guitar, and take hold of the index finger of your left hand with the thumb and index finger of your right hand. Completely relax the left index, and wiggle it around with your right hand. This is the Light Finger.
- Touch the palm of your right hand with your left index. Raise the left index two inches from the palm. Now let it drop by it's own weight back to your palm, touching it very lightly, with no pressure. This is how the finger feels when it first touches the string.
- Now hold the guitar, paying attention to the being comfortable and relaxed throughout the body, and slowly raise your relaxed left arm up to the neck, bringing the hand up so that the index finger is lined up with the ninth fret. Have your fingers in a relaxed curl over the 6th string. Allow your Light, relaxed middle finger to fall to the 6th string, behind the 10th fret, so that it touches the string, but applies no pressure. Look at the string under your finger, and see the distance between the string and the fingerboard. Make sure the string does not get move at all down toward the fret.
- Raise your finger an inch, and then bring it back to touch the string again in the same way. Do this over and over, touching the string with the Light Finger, bringing it away, and touching it again. This is called Finger Flapping. Do this a few times with each finger every day. Make sure you keep the inactive fingers as relaxed as possible while touching the string with the active finger. This will get you used to the feeling, and over time, very sensitive to the feeling of complete relaxation.
This light feeling is how your fingers will be when they first touch the string to play a note, and it is the feeling they will return to when they release from a note. It enables them to be prepared for their next job. Many people never have this light feeling, and play with tense fingers all the time, and their playing suffers greatly because of it. This exercise is what I call a Foundation Exercise, one that should be done regularly, no matter how long you have been playing. It will continually act to increase your awareness of the correct and necessary sensations you must have in order to play well. Learning how to bring this feeling in to all playing situations is often a tricky matter, and there is much else to know, but we have to start somewhere!
Here is why. Speed, or the ability to execute movements rapidly and accurately, is simply the result of continuous correct practice that promotes "The Incredible Lightness". If you are creating "The Incredible Tightness" when you practice, you will suffer because of it. Think of walking and running. Does a little kid have to practice running? No, it just happens after balance is mastered, and the ability to place one foot in front of the other, and have all the body parts work together to keep the movement going. After the two year old gets that down, don't worry, he'll be running!
In closing, let me say that all the preceding is founded upon the first two Principles of Correct Practice. I will state them pretty formally, and they apply to all instruments. Principle of Correct Practice #1: Your aware, thinking mind is your primary practice tool. Principle of Correct Practice #2: Control of the fingers is developed by infusing conscious awareness into the muscles through the mechanism of attention while practicing. Remember, as in all things in life, you get out of it what you put in to it (and believe me, it makes me feel pretty old to hear myself saying that, but it's the truth). So read this over and over, and do the exercise, and apply these understandings to your practice.
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